channeling the energy echoing off dancefloors along his path, reinier zonneveld has been on a steady slope rolling out dance igniting productions while touring an intricate live set. megacity servant, the artist’s third studio effort, stands as a coherent 16-piece techno outfit tinged with experimental tones while playfully deconstructing classic acid and disco fragments. coming from a classical music background, reiniers style of production ranges from cavernous powertracks to more concise trips subdued with melancholic piano-stemmed soundscapes, rounding up to a signature sound that is evident as it is enveloping. techno mainstay vocalist cari golden makes a notable appearance on things we might have said. having previously teamed up with sonorous names like pan pot, fur coat & coyu, goldens stellar vocals and skillful lyrics shine paired with zonneveld’s production prowess. the production-vox chemistry is instant, as the track mesmerizes from the get go. seizing attention for the full length of the track, the entire arrangement seduces the listener, making for a clamorous earworm. eht unveils a heavy-hitting resolution, as the artist layers on hefty polarizing synths. the cut boasts a powerful arrangement that is unsettling and playful at the same time, diving into dark techno realms. megacity servant makes use of the classic roland sh-101s ability to emit a nearly tridimensional sound ray, unfolding newer details with each listen. the relentless melody, padded with grave synth arrays, establishes a melancholic mood, gradually depicting the auditive struggle of its title-named character.

at 12:22 hrs on july 19th 2016, the manned spacecraft 10.000 suns sent a distress signal from the inner edge of earth s atmosphere. communication with the shuttle was lost shortly afterwards. fragments of the ship have been recovered on the west coast of scotland, but pilot bryan kessler of cologne is currently missing in action. black box recordings have been retrieved and will be archived to regulation standard vinyl and digital audio encapsulations.

nice price deal !!! mike sulu established himself with his brilliant digital releases (bacteria records) to the electronically oriented audience. >insects on ice< = soft deep chords are in correspondence with synth fragments. short, minimal melody arms turn slightly out to the tribal touch of the original songs. big support by: guy gerber, luetzenkirchen, roger sanchez, cassius, nudisco, monoroom, mistress barbara und felix kroecher... special rerelease

nice price deal !!! playlist: ralph sliwinski, sebbo k, loco dice, raresh, dan curtin, steve bug ..... four tracks define the third chapter on the label for unique sounding minimal noise. new face christian baldinger celebrates his debut as syntec and delivers a record with actually four a1-tracks, as homogenic as can be. the unique trademark on this record is the fact that he has the courage to leave the path of reduced drummings when it comes to fulfill the expectations of what everybody feels being >minimal<. stomping beats combined with loads fragments form a release you will find in playlists both of warm-up and peaktime-sets

automatic writing is an alleged psychic ability allowing a person to produce music without consciously writing it, arising from a subconscious, spiritual or supernatural source. from surrealists cadavre exquis to herberts lets all make mistakes, artistic creation has always been driven by accidents, experimentations and unconscious bursts of creativity. advocating for a minimal aesthetic in club music, automatic writing is an imprint dedicated to present the work of emerging dj/producers from the minimal house scene, along with more experienced artists on the remix duty. our sound is shaped by a collection of musical memories, a random harmony in noises coming from machines and field recordings, written to echo in minds and clubs. for our first release, we are thrilled to present you the debut ep of paris-based producer murphie cooper, along with vadim svobodas own interpretation, blending elements of murphies original cuts all together. 4 groovy fragments of imagination, automatically written on 180gr of wax.

limited edition of 300 copies, housed in a screen printed sleeve. includes a download code.
the flawed wonders that yair elazar glotman puts forth on his latest opus i know no weekend are the coldest dreams you would ever wish to immerse yourself in. they recall echoes of echoes, forced into slowly struggling shapes, ghosts of memories, whispers of life from another dimension. shamanic-repetitive beats shift slowly beneath echoing bells and fragments of past transmissions. overwhelmingly, one is taken into upon a winding mental path, with no clear resolution in sight, although the journey is ever-evolving and new.

the ep originally released on raster-noton in 2001, it never been released on vinyl till now. and finally available again briefly on japanese label flau s raum series. new pressing now available on clear vinyl. open close open, the title of robert lippok s release, can obviously be seen in the context of daily maxims: instructions you can find on packagings, household appliances, stereo systems and other operating instructions. neverthelesss, open close open also stands in connection with making things like space and perception accessible to yourself - and therefore with the opening of a fictious memory. on this release, analogue field recordings, digital remains and cultural fragments are condensed into an accoustic space. the call of crows and door slamming noises meet looped sound pieces from a minidisc recorder and samples from a mahler symphony.

the new analog solutions 018 , label owned by the spanish producer eduardo de la calle, will be released in may.this time presenting a various artists, by kristina and orbe, that combine an ep with a personal character, full of floating arrangements and inherently techno flavor, but sophisticatedly dub. it seems that the label analog solutions will take refuge next references on collaborations lauching a series of various artists so better to be alert.

ostgut ton reissues acht of zehn with original tracks by din (aka efdemin and marcel fengler), fiedel and tobias. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. bubbling synths, a stoic bassdrum, some live hi-hat percussion and synth pads full of bliss – what started as marcel fengler’s and efdemins inaugural collaboration as din for 2013s masse ballet sees its continuation in form of mono on a1. on a2 fiedel contrasts the opening tracks cool sounds with an upbeat contribution: probe-806 gently brushes funk, electro, acid and even boogie territory atop the general muscular rhythm. analogue synth aficionados are being served by tobias.: like a drug is a minimalist techno track with maximalist dancefloor effect through its use of haunting, distanced vocal fragments, discomforting alarm tones and crackling background textures. as with every good drug, you dont necessarily want more of it, but rather a longer duration of effect (in this tracks case: 8:36 minutes).

lp document of the first collaboration between oren ambarchi, kassel jaeger (of editions mego) and james rushford (who s projects include manhunter and food court on the kye label, and ora clementi on penultimate press). two side-long pieces recorded at grm studios, paris in 2014, comprising of distinct layers that gently rise up and recede, pale calling obeys a dream-logic that feels entirely disconnected from traditional electro-acoustic composition, forming surreal sonic images in which half-remembered fragments of everyday life mix with the quiet intensity of dreams haunted by natural forces.

dj sounds presents moving, a 3 tracks record made for the dancers and the djs. track 1 -moving- is an elegant built around a filtered disco-ish sample, simple while very efficient. -casa suave- is a classic sounding house track, easy to spin and sure to please the crowd. closing the record, -fragments- is a bit slower and deeper with its roland pads and bass, still very danceable.

kris- & konflikthantering is swedish for crises and conflict management, as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts. this album was put together while harald was taking this course. this album was made during semi-unconscious conditions and is an emotional transcription of experiences to the language of sequences and frequencies. the soundscape is a warm fuzzy travel from krauty basslines, vocal fragments and mantras through echoes and reverberating tunnels with shimmering arpeggios, field recordings and programed patterns in ancient japanese roland techniques. all recorded on the studer b67 master tape recorder, the heart of the kranglan broadcast studio.

** released on vinyl only **!!
in the space of two short years shlømo has quickly established himself alongside the likes of marcelus, bambounou, francois x and the antinote records crew as a key figure in paris’ current techno generation. having established his own taapion records label in 2013 and built a roster around a core of local producers including roman poncet, pvnv and antigone, in addition to enlisting stephen brown, conforce and sterac as remixers for the label’s releases so far. for its fifth release, bright sounds - run by fellow parisian kennedy smith - revisits last year’s rechaïm ep (bsrx003), with a trio of remixers offering their own takes on shlømo’s established deep and expansive sound. first up is the aforementioned 50 weapons artist bambounou, who offers a dynamic groove-based version of the title track that bounces along an elastic kick drum with cut-up fragments of the original’s atmospheric pads providing further impetus. label owner kennedy smith takes on theory is the worst by bringing its dub textures to the for while filling the track’s empty spaces with intricate drum patterns. finally, italian techno pioneer donato dozzy turns grounded queen into a classic dozzy slow-burning techno trip, with his trademark layered sound complimenting the track’s subtle rhythmic backbone.

the guys from dub-ito headquarters (claudio mate & francesco mazzocco) introduce a new chapter of the label with -here we are- ep , a nice various artists landing in the deep, dark, dub as well as industrial territories via london , berlin and the hot buenos aires . david hausdorf is one of the pioneer of the berlin old school techno dub scene… his track -reed- from 98 was until now unreleased. andrea ruffino well known as nax acid , italian born, based in london with -endless fragments- presents his typical trademark sound. italian dub duo, andrea perrini & alessandro verrina as babe roots with -cold desert dub-show their imprint: for the lovers of dub roots and for the fans of basic channel/ rhythm sound, it s perfect also for a balearic sunset .. volkova industrial/darkwave band from buenos aires / berlin invite in the land of the dark with -come and see-.

bad taste recordings hit 2016 in severe kinetic style with a fresh pair of tracks launching the identity of malux, the new neurofunk-focussed moniker of established bass producer skope (inspected). with turbine and fonk the agenda is clear – energetic, funk-fuelled dnb driven by detailed low-frequency design and a boisterous rave vibe.
turbine carries with it a stripped aesthetic, with a percussive pattern driven by the snare and wonky plucked synth work. this is heads-down, bassface material for ravers to get into step to.
fonk on the flip hits a cheeky upbeat tone, switching slickly between bass textures punctuated by staccato sonic fragments.
with support from scene titans such as andy c, the upbeats and radio play from friction on bbc r1 and crissy criss on kiss fm, malux has immediately caught the attention of those who know. bad taste hits the nail on the head again, introducing another name with a big destiny into the halls of dnb.

repress !! it s been said that the day unravels what the night has woven so that each morning, we hold in our hands a few fringes of the tapestry of a lived life. the act of remembering is more like forgetting. for it is only when a memory is recalled that the fragile and forgotten quality of memories are revealed. we go about life weaving fragments together, fragments of ourselves we find staring back at us as we remember conversations, smells and quality of light.

andre crom returns to off with a deep and moody piece of house music. based on a layer of solid drums and a warm bassline, the track evolves with a gliding synth hook and bell theme, topped by a haunting vocal featuring bramwell. berlins rising star jonas saalbach delivers a spacy interpretation, altering the original theme and introducing new synth layers. finally, london-based ashwort adds a toolish deep techno remix, only using fragments of the vocal to give more focus to the groove.

kindred phenomena marks mattheis debut album. after two cosmic eps on nous klaer and a mini-album on tape for ecstatic recordings, he now returns to nous klaer for his first full story. an album shaped for every occasion: driving from the city to the island, dancing in the living room, or raving at sunset. on kindred phenomena mattheis picks up where he left off: swell serves as another episode of the prisms, the modular synth excursion of bit fragments pushes his arpeggiator solos a step further, and album standout ben_m provides his most beautiful dance of melodies yet. the album consists of eight tracks and comes as a double 12 inch for deejay convenience, and for the ultimate experience: go see mattheis perform his album live on the road.

ltd nice price greener records double vinyl pack , with andres zacco and psynote...
mastered by cbg at dubplates & mastering , berlin
pressed on heavyweight 180gr vinyl

skewed soundscapes permeate fragments of gritty beats and swirling rhythms on this 12 minute epic from swedish artist dungeon acid. label boss par grindvik reaffirms his talent for both a&r and production, delivering 2 frenetically charged reinterpretations on the flip.

recomposing fragments from the past in order to understand our present. sound archeology. silex device.

the vienna based imprint noiztank delivers the second statement of his design sound manifesto. label head zosima supplies three original tracks accompanied by a remix of industrial-esque pioneer kareem of zhark recordings. a lady from siberia moves around the cutting-edge agenda of current techno aesthetics. driven by an aura of melancholy and depression, only fragments of drama and uncontrolled violence break the stimulus of chaotic stubbornness.

fragmented:
broken up, cracked open/apart, shattered, splintered, fractured
1 reduced to fragments
2 existing and/or functioning as though broken into separate parts
3 forcibly separated into many pieces

highly technical but still organic, combining advanced synthesis & sample wizardry *fragmented* clearly shows how contrasts can accentuate.

the second release of inkblots involves three great artists deeply active into the international techno scene: the japanese go hiyama and the berlin based duo i/y. on side a, go hiyama’s first track ‘recur’ delivers sinister atmospheres matched with a tough kick and industrial bleepy elements. slow and paranoic drones get in and out contributing to enlarge the sound perception. the second track ‘prop’ introduces elegant hi-hats and strident synths. a captivating kick perfectly embraces the shrill synths waving together with the sharp drum, what remains of the first side is just tense ambients, forewarning the journey is not over. side b smells like a dark club firing up, indeed i/y’s aim is not different at all. ’thesys 0000.001’ debuts with a thin bassline and distorted grave surroundings. the track evolves with clean slap hats sound in an empty echo chamber. deep timbres rise and fall, turning the entire route gently aggressive. the second track is an idm experiment which keeps a trippy approach and the clarity of claps and hi-hats. solid as the first one, ‘thesys 0000.003’ sets itself as an hypnotic but pleasant moment where suspicious fragments quickly appear and disappear: a sparkled trip to be enjoyed anytime but not by anyone.

great circles is pleased to present another artist from the philadelphia underground - m//r magnetic resonance. with this debut 12 inch, m//r brings a new dimension to the labels sonic story. on the a-side, adjacent possible is warehouse primed, with its massive kick, rotating squelches and infectious claps, while texas acid patiently seeks you out and finds you huddled in the darkest corner of the room, its delayed synths turning percussive and pattering your theta state like acid rain. on the b-side, honey single deftly weaves dub fragments and metallic webbing into a padded electro structure. panthers 1 slows the pace and opens the doors to a phantom voice and lush melodic strains that slowly merge into a unified ensemble over the extended, hypnotic beat.

jeroens commemorating his roots by re-releasing a selection of search records from days gone by. each has been remastered in such a way that it retains its authentic and timeless energy. pressed onto fresh vinyl, this limited series contains some of the finest search tracks ever to be put out, handpicked by jeroen himself. in light of that it might be easily forgotten that jeroen search has been creating techno since the early nineties. and that he ran one of the most influential labels around back then: >search<. between 1996 and 2001 it was home to a host of releases, many from jeroen himself. released on vinyl and without any reprints, they ve since hidden in the record collections of a select few.

nice price deal !!! an der grenze zwischen dem großen und all den kleinen mainstreams hat anstam waehrend der letzten zwei jahre einen noch künstlerischeren ansatz verfolgt und versucht, einen komplexen und ausdefinierten kosmos zu schaffen voller einzigartiger musikalischer logiken, physik und atmosphären. names ist das dritte album des aus berlin stammenden lars stöwe und nachfolger der von der presse hoch gelobten alben dispel dances (2011) und stones and woods (2012) erneut stößt anstam in seinem eigenwilligen und einzigartigen stil in neue gefilde vor und kreiert mit hilfe des gesamten instrumentariums relevanter moderner musik ein zehngängiges menü delizioesen brain foods

joel hood makes escapist friday night music heard through the haze of a foggy monday morning. the north yorkshiremans music transports you straight out of a cold working town and drops you into a hazy world of intercontinental sonic voyaging, taking in fragments of family holidays and adult travel adventures cut and pasted into instrumentals that evoke dj shadow, twin peaks and the avalanches stargazing in the middle of nowhere, with hoods voice weaving between it all. already profiled by the guardian and music week plus picking up support from rob da bank and bbc6music, his debut ep for international feel features four tracks of psychedelic fusion carrying hints of 80s nostalgia amidst hedonistic futurism.
pressing on 180 gram vinyl.

21st century house music as its best. charming garage fragments and timeless motown compounds evolving into technological frequency texture through a combination of old transistors and contemporary circuit boards. uplifting, solid, soulful, ravy. dancefloor future classics.

this is skinnerboxs first release on treat your dj right. on love songs for the broken arpeggiator ep, the two berliners olaf hilgenfeld and iftah gabbai celebrate their own vision of modern dancefloor music in four epic tracks. all music is based on the beat while the sound ranges from acid fragments – over hypnotic, extensively melodies to yet modern club beat.

scaled to fit is the debut ep from london s shift work. four tracks plus four interludes. machine music for hypno dance floors and home listening tranceouts. live shows forthcoming. in their own words: shift work wring everyday sounds into something you can dance to. snippets of woven speech, audio fragments stitched with waves of pulsing mid-priced synths - the noise of syncopation, cheap art, ringing ears, cracked snares, accidents and oscillations. and some very tidy wiring.

first dbl 12 inch on nilla of the two dutch masters, roger gerressen and ivano tetelepta. build from wax is the first part of their sample-based series, which covers field recording and fragments from the past, reconstructed to the future by the tools of drum machines and analog warmth, with the classical flavour of techno and house era. nilla rocks again

following spanish producer j.cs debut 12 inch, label head andres zacco is back on his own greener imprint, with a new format for this fifth release. breaking from the usual two-tracker we got used to receive through greener, here are four original numbers from the argentine talent – a bare minimum to represent zaccos versatility

after 2 years where the old stories were still being carried around and re-told over and over by the worlds discjockey the next mysterious deephouse raconteur finally adds a new tome to the old legend in his own distinctive, unmistakable style: while the narrative is effectively and assuredly driven on by a classical yet forceful 4/4 rhyme structure the vocabulary is more playful, experimental and abstract with melodic fragments evoking pictures of vast, futuristic landscapes and a mood of deep contemplaton and enlightened serenity. another satisfying pageturner

new label back to the balearics follow up the superb maricopa ep with a stunner from berlin based live music collective spleen. part one in their musical odyssey *fusionary* consists of live jams and instrumentation over computer-based syncopation, their music has a strange yet organic flow to it, which is both hypnotic and rhythmic. think kraut influenced, psychedelic dub funk with a touch of alt pop and you will be on the right road, but still miles away. music is better than words ... spleen prove that. limited edition vinyl with beautiful printed sleeves.

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. they include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. the siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. the breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. it is intensively silicified.

just when you thought it was safe to get back in the water two of drum & bass longest serving soldiers return with an ep of immense proportions on their own product recordings. with years of experience between them shining through craggz & parallel show their stripes in spades here with four brand new productions designed to put hairs on your chest, some of the most powerful drum & bass you will have heard this year.

old future music is an exciting new independent record label based in naples. the label prides itself on understanding and delivering quality deep house & funky music. its founding members are all specialize in various different areas of the business, from promotions to web design, from investments to industry contacts. every possible part of business/industry relation has been covered, enabling this young company to meet the same level of professionalism found in many of the already larger, long established record labels.
but of course, old future music was not set up just with business in mind - far from it - the founding reason for this label is simple ... for the love of house music because the future is in the past! our influences are: all the things makes with heart and love for music.

from deep house to dubby techno, sebo k has been around the world and back taking the club scene on full throttle with the decks as his mission control. now hes back with one of the rare long awaited releases still hitting the point! his latest output, scenario isnt just any ordinary ep. sebo k has this special release down to a science as he centers it around an event series that will gracefully unravel this year.

nice price deal !!! big support by james holden..felizol comes with his 3rd e.p for ntrop recordings. our team never won of 3 tracks, attempts to bridge experimental hardware music with programmed club-oriented grooves. randomness and roughness straggle with elegance and balance.our eam never won is a deep techno song with foggy vocals, aggressive kicks, distorted bass and side-chained melodies. 11 years minimize latin harmonies and guitar timbres while the dry house beat and the warm poly-analogs follow the repetitious vocals. the promise is an experimental dub with jazz fragments and minor piano chords constructed around the field recording of a finish lunatic old man talking to himself.

we think everything we release on frijsfo is fresh. at the same time we believe it doesnt hurt to stay in touch with your roots, which is something buzzin10 does in a fascinating way. we cant tell you much about this young producer from east london, a publicity-shy individual whose music we first heard thanks to his older brother. but we do know he pieces together rhythms by sampling fragments from old tape packs – mainly garage nations late 90s recordings of some of the best djs of all time, including dj ez, karl tuff enuff brown, dj luck & mc neat, and ray hurley.
dj support so far comes from sully, desto, oslek, warlock, kingthing, resketch, rk and ltf (wifey ldn), cardopusher, valta, dusk & blackdown

surplus ships is sort of an odd - beat based - vinyl version of pomassls spare parts album (raster noton 2009). with hints from his excellent skeleton material released by sabotage/laton/sex tags mania (1996-2007) his new mini-lp takes fragments of dubstep, techno, skwee, even oriental atonal melodies and merges it with pomassls signature industrial attitude and avant sense of compositions. enter the quality sonic world of pomassl.

nice price deal !!! real name dan griober, dan habarnam has been active since the 90s, doing production for romanian pop artists while also working on his own projects. his solo catalog is pretty slim, with just a few appearances on drum & bass labels like santorin and subtle audio, but from the known is clearly the work of an experienced artist: though loosely anchored in techno, ambient and bass music, its stylistically open-ended, and produced with an audiophiles attention to detail. according to the label, groibers meticulousness extended to the mastering process as well (the cd, for instance, was recorded direct from the vinyl to achieve that special analog feel)

the albums >nouvelle chair< and >echantillodrome< established lilea narrative as a mainstay of electro hip hop in france. lilea narrative now hammers it home with new ep >feline boulevard<. by dint of the experience gained playing live at over 100 concerts in europe, and after sharing the spotlight with rjd2, antipop consortiun, buck 65, brother ali and roots manuva, the artist has sharpened his style.

last ep from the remix series for the >art is a division of pain< album by psi performer aka anthony rother.

>echoes are fragments from the past which follow us into the future.<11 years after its first release, this sentence has proven to be the perfect slogan for this timeless masterpiece by alexander kowalski.

philip bader, sascha braemer and nicone have been assembled in the studio and there it was: the new dantze. two wonderfully groovy tracks, perfect for the late summer, open airs and freak out moments on the dancefloor. dantze boy is a deep, hypnotic track with crazy cool rolling beats, vocal fragments and a driving synth. dantze girl will inspire the girls. guitars, vocals, love - everything that goes with it. typical bader, braemer, nicone. peace.

schallbox sends his latest release into the race and for that the gentlemen of doppelt gemoppelt admit responsibility. in the original, it rattles and hisses only the way in the rhythm entablature, a blessed onefinger- chord acts as kerosene in the sound-tank and the resilient little background melodies create together with the interspersed vocal fragments, a deep and tragic scene which brings every in themself sunken dancefloor in vibrations.